https://ri.ufs.br/jspui/handle/riufs/2537 2026-07-12T15:22:02Z 2026-07-12T15:22:02Z Fonseca, Thereza Christina dos Santos https://ri.ufs.br/jspui/handle/riufs/25265 2026-07-07T11:24:48Z 2026-03-06T00:00:00Z

Título: Benshi : processo de criação de roteiro de curta-metragem ficcional Autor(es): Fonseca, Thereza Christina dos Santos Abstract: The act of creating is an irregular journey that arouses curiosity in those observing from the outside, often seen as a phenomenon full of mysteries, in which creativity seemingly emerges out of nowhere. However, creating is almost a scientific method, involving observation, research, and experimentation to achieve the final result. In this context, this study aims to dissect the development process of the script for Benshi, a fictional short film project, analyzing all stages of its conception, from the theoretical foundation, based on the research of Célia Sakurai and Alexandre Kishimoto on Japanese immigration and Asian cinema, to the scriptwriting itself, which incorporates the kishōtenketsu narrative model as an alternative to the classical Western structure.

2026-03-06T00:00:00Z Santos, Micael Bomfim dos https://ri.ufs.br/jspui/handle/riufs/25264 2026-07-07T11:19:46Z 2026-03-19T00:00:00Z

Título: Quando a chuva passar : o registro de um processo, proposta de roteiro de curta-metragem ficcional Autor(es): Santos, Micael Bomfim dos Abstract: The project Quando a Chuva Passar consists of the creation of a short film screenplay articulated with a reflection on the author’s own creative process. Throughout its writing trajectory, the script went through different drafts and treatments, being developed in screenwriting labs, industry meetings, and consultancy spaces, which enabled fundamental exchanges for the maturation of the work. The creative process is closely related to the author’s personal history and to the territory of Mato Grosso, located in the municipality of Rio de Contas, the town where he grew up. It is grounded in territorial, geographical, and social conflicts that shape the subjective constitution of the protagonist, Antônio. The project is mainly anchored in the concepts developed by Cecília Almeida Salles regarding the creative process, especially in the understanding of the artwork as a gesture in construction. Quando a Chuva Passar is not only a narrative about the discovery of sexuality by a man from the countryside, but also a sensitive account of rupture with patriarchal structures, while simultaneously engaging the author in his own reflection on belonging, identity, and his relationship with his territory of origin.

2026-03-19T00:00:00Z Oliveira, Mariana Isla Vargas de https://ri.ufs.br/jspui/handle/riufs/25263 2026-07-07T11:17:27Z 2026-09-11T00:00:00Z

Título: Territórios afetivos : cinema em uma facilitação na formação em direitos humanos na comunidade remanescente de quilombo Porto d’Areia (Estância/SE) Autor(es): Oliveira, Mariana Isla Vargas de Abstract: A partir de la articulación entre cine y educación, esta investigación-acción se propuso reflexionar sobre el audiovisual como metodología y tecnología social para facilitar procesos formativos en derechos humanos, con énfasis en el contexto del territorio quilombola Porto D’Areia (Estância, Sergipe, Brasil). Se implementaron procedimientos metodológicos inspirados en la cartilla Inventar com a Diferença (2013), desarrollados junto a los estudiantes del 9º grado de la Educación Básica en la Escola Estadual Quilombola Gilberto Amado. Se apostó por la transdisciplinariedad como estrategia para tejer alianzas entre la transmisión de la memoria y la sociobiodiversidad.; Based on the intersection between cinema and education, this action research explores the use of audiovisual media as both a methodology and a type of social technology for facilitate human rights education, focusing on the quilombola territory of Porto D’Areia (Estância, Sergipe, Brazil).Employing the Inventar com a Diferença (2013) framework, the project was developed in collaboration with 9th-grade students from the Escola Estadual Quilombola Gilberto Amado. Adopting a transdisciplinary perspective, it seeks to strengthen the transmission of cultural memory and promote the recognition and safeguarding of sociobiodiversity.

2026-09-11T00:00:00Z Alves, Julie Anne Rocha https://ri.ufs.br/jspui/handle/riufs/25262 2026-07-07T11:13:43Z 2026-03-31T00:00:00Z

Título: A presença da mulher negra nas séries de ficção televisivas brasileiras Autor(es): Alves, Julie Anne Rocha Abstract: This study investigates the presence and representation of Black women in contemporary Brazilian television series, understanding these productions as cultural artifacts shaped by symbolic disputes related to race, gender, and class. In view of the consolidation of fictional television series as central products of mass culture, this study examines how such representations navigate between advances in diversity and the persistence of stereotypes historically associated with Black women in Brazilian media. The methodology adopted is qualitative in nature, albeit concise, and is grounded in the critical analysis of audiovisual works, drawing on cultural studies and theories of representation, mobilizing authors such as Stuart Hall, David Kellner, Lélia Gonzalez, and Patricia Hill Collins. The television series Arcanjo Renegado (2020), created by José Júnior; As Five (2020), created by Cao Hamburger; and Encantado’s (2022), created by Renata Andrade and Thais Pontes, were analyzed with particular attention to narrative construction, the conflicts assigned to Black female characters, and the relationship between protagonism, subjectivity, and stereotyping. The findings indicate that, although there has been progress in the presence of Black women in positions of professional and social prominence, their trajectories are still frequently shaped by archetypes such as the “Strong Black Woman,” by the pedagogization of racialized pain, and by narrative subordination to male protagonism. It is also observed that productions with greater female participation in creative processes tend to present more complex, humanized, and plural characters. The study concludes that the expansion of diversity in Brazilian television series, while significant, remains partial and uneven, making the occupation of spaces of creative power by Black women essential for representation to move beyond mere visibility and become genuinely emancipatory.

2026-03-31T00:00:00Z