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  <title>DSpace Coleção:</title>
  <link rel="alternate" href="https://ri.ufs.br/jspui/handle/riufs/2566" />
  <subtitle />
  <id>https://ri.ufs.br/jspui/handle/riufs/2566</id>
  <updated>2026-04-08T04:48:51Z</updated>
  <dc:date>2026-04-08T04:48:51Z</dc:date>
  <entry>
    <title>Gamificação e robótica no ensino de história e patrimônio cultural : estudo descolonial entre as praças de Montevidéu e São Cristóvão (2010–2012)</title>
    <link rel="alternate" href="https://ri.ufs.br/jspui/handle/riufs/24811" />
    <author>
      <name>Alves, André da Silva</name>
    </author>
    <id>https://ri.ufs.br/jspui/handle/riufs/24811</id>
    <updated>2026-03-23T14:45:53Z</updated>
    <published>2026-02-25T00:00:00Z</published>
    <summary type="text">Título: Gamificação e robótica no ensino de história e patrimônio cultural : estudo descolonial entre as praças de Montevidéu e São Cristóvão (2010–2012)
Autor(es): Alves, André da Silva</summary>
    <dc:date>2026-02-25T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Estância em exposição : fotografia e memória urbana na mostra “171 anos do Júbilo Cultural, Estância pela lente do fotógrafo Ricardo Martins” (2019)</title>
    <link rel="alternate" href="https://ri.ufs.br/jspui/handle/riufs/24810" />
    <author>
      <name>Costa, Elysa Carla Araújo</name>
    </author>
    <id>https://ri.ufs.br/jspui/handle/riufs/24810</id>
    <updated>2026-03-23T14:44:45Z</updated>
    <published>2026-02-24T00:00:00Z</published>
    <summary type="text">Título: Estância em exposição : fotografia e memória urbana na mostra “171 anos do Júbilo Cultural, Estância pela lente do fotógrafo Ricardo Martins” (2019)
Autor(es): Costa, Elysa Carla Araújo
Abstract: This study analyzes the images that composed the exhibition “171 years of Cultural Jubilee: Estância through the lens of photographer Ricardo Martins”, held in 2019 in the municipality of Estância (SE), Brazil. The research is grounded in the understanding of photography as a visual language and as a device for mediating urban memory, investigating how these visual productions contribute to the construction of meanings about the city, its landscapes, social practices, and uses of urban space.. The study examines fourteen photographs organized into thematic axes, encompassing territories, landscapes, riverside spaces, everyday life, religiosity, and popular festivities. Methodologically, it adopts a qualitative approach based on visual and contextual analysis, considering formal aspects, aesthetic choices, and the contexts of production, exhibition, and digital circulation. The photographs are understood as cultural objects that, by integrating an exhibition and circulating through digital media, function as mediating devices of urban memory. In this sense, the research demonstrates that the images do not merely document the city, but actively participate in the construction of representations, identities, and forms of belonging, shaping specific ways of seeing, narrating, and remembering Estância in contemporary times.</summary>
    <dc:date>2026-02-24T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Onde vivem os nômades? Ciganos no Brasil e a produção do estereótipo como obstáculo no direito à propriedade</title>
    <link rel="alternate" href="https://ri.ufs.br/jspui/handle/riufs/24809" />
    <author>
      <name>Santa Rosa, Nicole Carvalho</name>
    </author>
    <id>https://ri.ufs.br/jspui/handle/riufs/24809</id>
    <updated>2026-03-23T14:44:16Z</updated>
    <published>2025-02-25T00:00:00Z</published>
    <summary type="text">Título: Onde vivem os nômades? Ciganos no Brasil e a produção do estereótipo como obstáculo no direito à propriedade
Autor(es): Santa Rosa, Nicole Carvalho
Abstract: This study aims to analyze the historical processes of marginalization, territorial dispersion, and epistemological silencing imposed on Roma people in Brazil, focusing on the dynamics of segregation established since the colonial period and reproduced throughout the 20th century. Starting from the understanding that nomadism has been historically mobilized as a stigma and used as a pretext to deny Roma people the right to territorial permanence, the research problematizes the association between sedentarism, civility, and social belonging. Methodologically, it is an interdisciplinary historical investigation that articulates bibliographic, documentary, and audiovisual sources, noting, given the scarcity of written records produced by the Roma people themselves, the central role of audiovisual media as a historical source. Documentaries and cinematographic works, such as Latcho Drom (1993), by Tony Gatlif, and Ciganos do Nordeste (1976), by Olney São Paulo, allow access to narratives that escape official archives and highlight social representations, institutional discourses, and forms of cultural resistance. The theoretical framework is situated within the field of Social and Cultural History, engaging with authors such as Geraldo Pieroni, Priscila Paz Godoy, and Samir Amin, as well as with critical approaches to Eurocentrism, the coloniality of knowledge, and structural racialization. The research also incorporates contributions from the philosophy of language, especially speech act theory and the dialogic conception of discourse, to understand how statements, categories, and stereotypes about Roma people have produced practical effects of exclusion, control, and punishment. Thus, language, territory, and power are articulated, also mobilizing the concepts of territory and the production of space as symbolic, cultural, and relational dimensions. By challenging hegemonic historical narratives, the study seeks to contribute to broadening the debate on Roma people in Brazil, arguing that mobility does not imply an absence of territoriality, but rather constitutes a legitimate form of occupation, belonging, and claiming historical, cultural, and territorial rights.</summary>
    <dc:date>2025-02-25T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>A Festa do Santuário Nossa Senhora Aparecida no bairro Bugio como reflexo da relação da história do bairro com a paróquia</title>
    <link rel="alternate" href="https://ri.ufs.br/jspui/handle/riufs/24808" />
    <author>
      <name>Bezerra, Antonia Vitória Rodrigues Santos</name>
    </author>
    <id>https://ri.ufs.br/jspui/handle/riufs/24808</id>
    <updated>2026-03-23T14:42:21Z</updated>
    <published>2026-02-23T00:00:00Z</published>
    <summary type="text">Título: A Festa do Santuário Nossa Senhora Aparecida no bairro Bugio como reflexo da relação da história do bairro com a paróquia
Autor(es): Bezerra, Antonia Vitória Rodrigues Santos
Abstract: This work analyzes the relationship between the Bugio neighborhood and the Nossa Senhora Aparecida Sanctuary based on the religious festival promoted by the parish over more than forty years of festivities. The research seeks to understand how the parish has influenced the dynamics of the neighborhood's daily life since the beginning of the construction of the housing complex, contributing to the social, cultural, and community organization of the region. The religious festivals reveal by highlighting the parish's capacity for mobilization, which goes beyond the strictly religious sphere and impacts the social life of the neighborhood located in the northern zone of Aracaju. In addition, the study observes how these celebrations accompany the process of urban growth, dialoguing with the transformations that have occurred over time, from the formation of the housing complex to its consolidation as an expanding neighborhood. The research is based on documentary, bibliographic, and oral sources, allowing an analysis that articulates local and religious history.</summary>
    <dc:date>2026-02-23T00:00:00Z</dc:date>
  </entry>
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