https://ri.ufs.br/jspui/handle/riufs/2435 2026-10-28T20:28:46Z https://ri.ufs.br/jspui/handle/riufs/26171 Title: Acesso à saúde por pessoas em situação de rua: modelos comunicacionais em cenários de crise Authors: Gois, Luciana Santos de Abstract: The homeless population faces historical and persistent barriers in accessing health services, which are intensified in crisis scenarios. This dissertation investigates how different risk communication models influenced this population's access to health services during the COVID-19 pandemic, based on a comparative analysis between the cities of Aracaju, capital of the State of Sergipe (Brazil), and Lisbon, capital of Portugal. The research adopts a qualitative approach, structured as a multiple case study and of a holistic nature, focusing on government strategies to confront the health emergency, especially on innovative communication practices in each context. The analysis reveals structural limitations, institutional innovations and the impacts of communication actions on the effectiveness of health responses aimed at the homeless population, contributing to the formulation of more inclusive, equitable and sensitive public policies to the specificities of groups in extreme social vulnerability. 2026-06-30T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/26109 Title: Autorretrato como experimentação de estilo: uma análise da performance de Vivian Maier Authors: Santos, Clara Louise Dias 2023-11-24T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/25308 Title: Dimensões do tempo pelo olhar da maré — os rastros de duração da pinhole nas fotografias do projeto Mão na Lata Authors: Carvalho, Dayanne Santos Abstract: This research aims to investigate in which and how many ways traces of temporalities appear in photographs produced with pinhole, a craft technique that encompasses a broader temporal perspective. This paper analyzed the photographs produced by children and teenagers from Mão na Lata, a project in the Maré community, in Rio de Janeiro, which offers pinhole photography workshops, based on the integration with literature and writing as a pedagogical path. Aiming to discuss pinhole photography as a determining technique in the particular relationship with time, the research analyzes photographs from the photobooks Mão na Lata e Berro Dágua: um ensaio fotográfico sobre a obra de Jorge Amado (Altberg, 2006) and Cada dia meu pensamento é diferente (Altberg, 2013a), identifying how the temporal traces left by this wait for pinhole and the integration of languages contribute to strengthening the relationship between boys and girls with themselves and with Maré. Four temporal dimensions are defined that discuss time from a perspective of duration (Lissovsky, 2008), the fabulation of worlds with the interconnected use of pedagogical languages (Altberg, 2006 and 2013a; hooks, 2017; Brizuela, 2014), the relationship with the city (Amormino, Maia, Valle, 2020) and emotional connections through the image, based on the photographic practice of João Roberto Ripper (Gastaldoni, 2020). Based on the theoreticalmethodological paths constructed through these dimensions, the research understands pinhole photography as a path that provides Mão na Lata photographers with a particularized relationship with time, supported by the affective paths of collective and integrated work, which means that the duration that is perpetuated in the images is the result of the perspective constructed by life in Maré. 2024-08-26T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/24618 Title: Narrativas digitais da maternidade no Instagram: tensões, ambivalências e performatividade do corpo materno Authors: Santos, Isadora Sukita Rezende Abstract: This dissertation analyzes digital narratives of motherhood produced by Brazilian influencers on Instagram, focusing on representations of the pregnant and postpartum body within a context shaped by performativity, consumer logic, and the influence economy. The research is based on the observation that, although social media has expanded the visibility of maternal experiences, such exposure is permeated by tensions between authenticity and curation, care and commodification, and between visibility and the silencing of physical and emotional discomforts.The study examines the most highly engaged posts published between 2023 and 2025 on the profiles of five Brazilian influencers, selected according to criteria of thematic relevance, reach, engagement, and narrative diversity. The qualitative analysis is grounded in content analysis and engages with theoretical contributions from gender studies, communication, body studies, health, and performativity, particularly regarding self-presentation and expressive coherence on digital platforms. The findings show that the maternal narratives analyzed operate through a performance of well-being that tends to aestheticize motherhood, naturalize bodily interventions, and minimize or silence pain, discomfort, and vulnerabilities associated with pregnancy and the postpartum period. While the discourse of “real motherhood” is present, it is often captured by engagement and monetization strategies, limiting its critical potential and reinforcing normative bodily and behavioral standards. Furthermore, the promotion of health- and self-care-related products and services frequently appears disconnected from scientific evidence, increasing the risk of misinformation in maternal health. It is concluded that digital narratives of motherhood on Instagram constitute an ambiguous space, combining possibilities for identification and care with mechanisms of symbolic control, bodily discipline, and the commodification of maternal experience. This research contributes to the field of Communication by deepening the understanding of the relationships between motherhood, the body, health, and the influence economy, offering critical insights for debates on ethics, visibility, and meaning-making in digital platforms. 2026-02-04T00:00:00Z