https://ri.ufs.br/jspui/handle/riufs/2486 2026-09-29T23:52:22Z https://ri.ufs.br/jspui/handle/riufs/26109 Título: Autorretrato como experimentação de estilo: uma análise da performance de Vivian Maier Autor(es): Santos, Clara Louise Dias 2023-11-24T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/25308 Título: Dimensões do tempo pelo olhar da maré — os rastros de duração da pinhole nas fotografias do projeto Mão na Lata Autor(es): Carvalho, Dayanne Santos Abstract: This research aims to investigate in which and how many ways traces of temporalities appear in photographs produced with pinhole, a craft technique that encompasses a broader temporal perspective. This paper analyzed the photographs produced by children and teenagers from Mão na Lata, a project in the Maré community, in Rio de Janeiro, which offers pinhole photography workshops, based on the integration with literature and writing as a pedagogical path. Aiming to discuss pinhole photography as a determining technique in the particular relationship with time, the research analyzes photographs from the photobooks Mão na Lata e Berro Dágua: um ensaio fotográfico sobre a obra de Jorge Amado (Altberg, 2006) and Cada dia meu pensamento é diferente (Altberg, 2013a), identifying how the temporal traces left by this wait for pinhole and the integration of languages contribute to strengthening the relationship between boys and girls with themselves and with Maré. Four temporal dimensions are defined that discuss time from a perspective of duration (Lissovsky, 2008), the fabulation of worlds with the interconnected use of pedagogical languages (Altberg, 2006 and 2013a; hooks, 2017; Brizuela, 2014), the relationship with the city (Amormino, Maia, Valle, 2020) and emotional connections through the image, based on the photographic practice of João Roberto Ripper (Gastaldoni, 2020). Based on the theoreticalmethodological paths constructed through these dimensions, the research understands pinhole photography as a path that provides Mão na Lata photographers with a particularized relationship with time, supported by the affective paths of collective and integrated work, which means that the duration that is perpetuated in the images is the result of the perspective constructed by life in Maré. 2024-08-26T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/24618 Título: Narrativas digitais da maternidade no Instagram: tensões, ambivalências e performatividade do corpo materno Autor(es): Santos, Isadora Sukita Rezende Abstract: This dissertation analyzes digital narratives of motherhood produced by Brazilian influencers on Instagram, focusing on representations of the pregnant and postpartum body within a context shaped by performativity, consumer logic, and the influence economy. The research is based on the observation that, although social media has expanded the visibility of maternal experiences, such exposure is permeated by tensions between authenticity and curation, care and commodification, and between visibility and the silencing of physical and emotional discomforts.The study examines the most highly engaged posts published between 2023 and 2025 on the profiles of five Brazilian influencers, selected according to criteria of thematic relevance, reach, engagement, and narrative diversity. The qualitative analysis is grounded in content analysis and engages with theoretical contributions from gender studies, communication, body studies, health, and performativity, particularly regarding self-presentation and expressive coherence on digital platforms. The findings show that the maternal narratives analyzed operate through a performance of well-being that tends to aestheticize motherhood, naturalize bodily interventions, and minimize or silence pain, discomfort, and vulnerabilities associated with pregnancy and the postpartum period. While the discourse of “real motherhood” is present, it is often captured by engagement and monetization strategies, limiting its critical potential and reinforcing normative bodily and behavioral standards. Furthermore, the promotion of health- and self-care-related products and services frequently appears disconnected from scientific evidence, increasing the risk of misinformation in maternal health. It is concluded that digital narratives of motherhood on Instagram constitute an ambiguous space, combining possibilities for identification and care with mechanisms of symbolic control, bodily discipline, and the commodification of maternal experience. This research contributes to the field of Communication by deepening the understanding of the relationships between motherhood, the body, health, and the influence economy, offering critical insights for debates on ethics, visibility, and meaning-making in digital platforms. 2026-02-04T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/24586 Título: A mulher autora no cordel sergipano: uma análise a partir das trajetórias de Izabel Nascimento e Daniela Bento Autor(es): Bonifácio, Rose Elaine dos Santos Abstract: This work analyzes the trajectory of two female cordelists from Sergipe, Izabel Nascimento and This study analyzes the trajectories of two cordelistas from Sergipe, Izabel Nascimento and Daniela Bento, highlighting, from their own perspectives, the expressions of sociopolitical resistance and the gender inequalities that shape their experiences within the multifaceted field of cordel literature. The research aims to understand the dimensions that emerge from the lived experiences of these Black women as they occupy spaces historically dominated by men, examining how their narratives challenge hegemonic structures and reflect processes of confrontation and transformation. Methodologically, the study is grounded in life history and trajectory approaches proposed by Howard S. Becker (1994) and Maria Luiza Nogueira (2017), which emphasize processes of subjectivation and resignification through individual experiences that foster collective agency. The theoretical framework draws on Patricia Hill Collins' (2019) Standpoint Theory, in dialogue with Black and interseccional feminist thought from authors such as Lélia Gonzalez (1984), Conceição Evaristo (2007), Ochy Curiel (2020), Maria Lugones (2019), Gloria Anzaldúa (1987), Audre Lorde (1980), bell hooks (2019), and Chimamanda Ngozi Adichie (2019). To explore the intersections of gender and communication in cordel, we also engage with the works of Francisca Pereira dos Santos (2020), Ria Lemaire (2017, 2018, 2020), Néstor García Canclini (2019), Maria Gislene Fonseca (2019), and Luiz Antônio Marcuschi (2010), whose contributions emphasize the social, political, and communicational roles of women in cultural production. As an empirical strategy, in-depth interviews were conducted using a semi-structured guide inspired by Kathy Charmaz (2009), designed to be "broad enough to cover a wide range of experiences, and narrow enough to elicit and elaborate on the participant’s specific experience." The findings reveal the transformative power of female authorship in the Sergipe cordel scene, addressing intersections of race, gender, and sexuality. Moreover, they illustrate how these women actively redefine the practice of cordel, particularly through their engagement with social media and their use of cordel as a pedagogical, political, and identity-based tool. Their narratives transcend stigmas of cordel as a “sub-literature” and resist limitations historically imposed on women’s writing. Ultimately, their perspectives illuminate the intersections between media, cordel, and power, offering a critical lens on the collective agency of women in protagonistic roles who come together to challenge patriarchal and racist structures. 2025-07-18T00:00:00Z