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        <rdf:li rdf:resource="https://ri.ufs.br/jspui/handle/riufs/25265" />
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    <dc:date>2026-10-31T13:44:34Z</dc:date>
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  <item rdf:about="https://ri.ufs.br/jspui/handle/riufs/26177">
    <title>Melo - A arte de viver : projeto documentário sobre a vida e obra do artista plástico sergipano Genival Melo</title>
    <link>https://ri.ufs.br/jspui/handle/riufs/26177</link>
    <description>Title: Melo - A arte de viver : projeto documentário sobre a vida e obra do artista plástico sergipano Genival Melo
Authors: Calixto, Manoel Ribeiro; Melo, Sávia Ramone Santana
Abstract: Este memorial presenta el proceso de realización del documental Melo - A Arte de Viver (Melo: el arte de vivir), que surgió de la búsqueda por comprender cómo los artistas independientes, a menudo sin un amplio reconocimiento público, utilizan el arte como forma de expresión, subsistencia y filosofía de vida. El documental sigue la rutina del artista plástico sergipano Genival Melo, que lleva más de 35 años en el sector, mostrando su rutina, las relaciones entre sus obras y su historia de vida, así como los obstáculos a los que se enfrenta para vivir del arte. Además de resaltar la trayectoria de Melo, la obra pretende relatar cómo los personajes secundarios se conectan con su vida.; This memorial presents the process of making the documentary Melo - A Arte de Viver (Melo - The Art of Living), which arose from a quest to understand how independent artists, often without widespread public recognition, use art as a form of expression, livelihood, and philosophy of life. The documentary follows the routine of Sergipe-based artist Genival Melo, who has been working in the field for over 35 years, highlighting his daily life, the relationship between his works and his life story, as well as the obstacles he faces in making a living from art. In addition to highlighting Melo's career, the work aims to show how the secondary characters are connected with his life.</description>
    <dc:date>2026-08-31T00:00:00Z</dc:date>
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  <item rdf:about="https://ri.ufs.br/jspui/handle/riufs/25568">
    <title>Onde há fumaça, há fogo” : o Barco de Fogo de Estância como emblema visual da sergipanidade</title>
    <link>https://ri.ufs.br/jspui/handle/riufs/25568</link>
    <description>Title: Onde há fumaça, há fogo” : o Barco de Fogo de Estância como emblema visual da sergipanidade
Authors: Silva, Joyce de Souza Pereira da</description>
    <dc:date>2026-07-09T00:00:00Z</dc:date>
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  <item rdf:about="https://ri.ufs.br/jspui/handle/riufs/25265">
    <title>Benshi : processo de criação de roteiro de curta-metragem ficcional</title>
    <link>https://ri.ufs.br/jspui/handle/riufs/25265</link>
    <description>Title: Benshi : processo de criação de roteiro de curta-metragem ficcional
Authors: Fonseca, Thereza Christina dos Santos
Abstract: The act of creating is an irregular journey that arouses curiosity in those observing from the outside, often seen as a phenomenon full of mysteries, in which creativity seemingly emerges out of nowhere. However, creating is almost a scientific method, involving observation, research, and experimentation to achieve the final result. In this context, this study aims to dissect the development process of the script for Benshi, a fictional short film project, analyzing all stages of its conception, from the theoretical foundation, based on the research of Célia Sakurai and Alexandre Kishimoto on Japanese immigration and Asian cinema, to the scriptwriting itself, which incorporates the kishōtenketsu narrative model as an alternative to the classical Western structure.</description>
    <dc:date>2026-03-06T00:00:00Z</dc:date>
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  <item rdf:about="https://ri.ufs.br/jspui/handle/riufs/25264">
    <title>Quando a chuva passar : o registro de um processo, proposta de roteiro de curta-metragem ficcional</title>
    <link>https://ri.ufs.br/jspui/handle/riufs/25264</link>
    <description>Title: Quando a chuva passar : o registro de um processo, proposta de roteiro de curta-metragem ficcional
Authors: Santos, Micael Bomfim dos
Abstract: The project Quando a Chuva Passar consists of the creation of a short film screenplay articulated with a reflection on the author’s own creative process. Throughout its writing trajectory, the script went through different drafts and treatments, being developed in screenwriting labs, industry meetings, and consultancy spaces, which enabled fundamental exchanges for the maturation of the work. The creative process is closely related to the author’s personal history and to the territory of Mato Grosso, located in the municipality of Rio de Contas, the town where he grew up. It is grounded in territorial, geographical, and social conflicts that shape the subjective constitution of the protagonist, Antônio. The project is mainly anchored in the concepts developed by Cecília Almeida Salles regarding the creative process, especially in the understanding of the artwork as a gesture in construction. Quando a Chuva Passar is not only a narrative about the discovery of sexuality by a man from the countryside, but also a sensitive account of rupture with patriarchal structures, while simultaneously engaging the author in his own reflection on belonging, identity, and his relationship with his territory of origin.</description>
    <dc:date>2026-03-19T00:00:00Z</dc:date>
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