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    <title>DSpace Coleção:</title>
    <link>https://ri.ufs.br/jspui/handle/riufs/2483</link>
    <description />
    <pubDate>Sat, 18 Jul 2026 06:12:39 GMT</pubDate>
    <dc:date>2026-07-18T06:12:39Z</dc:date>
    <image>
      <title>DSpace Coleção:</title>
      <url>http://ri.ufs.br:80/retrieve/b11404ec-39af-45a2-a6f4-0e5567586171/PPGS.png</url>
      <link>https://ri.ufs.br/jspui/handle/riufs/2483</link>
    </image>
    <item>
      <title>Os sons do espaço público e da arquitetura na sociedade da sonorização ativa</title>
      <link>https://ri.ufs.br/jspui/handle/riufs/25407</link>
      <description>Título: Os sons do espaço público e da arquitetura na sociedade da sonorização ativa
Autor(es): Pacheco, Cristiano Ricardo de Azevedo
Abstract: This thesis proposes a reinterpretation of urban listening, examining how soundscapes&#xD;
and city life are mutually configured. Based on a comparative analysis of the neighborhoods&#xD;
of Aruana, in Aracaju (Brazil), and Solum, in Coimbra (Portugal), the study investigates the&#xD;
relationship between sound, public space, and architecture, arguing that active sound,&#xD;
understood as deliberate intervention in acoustic environments, can profoundly transform the&#xD;
urban experience.&#xD;
Here, sound assumes the role of an epistemological and sensitive operator, and its&#xD;
marginalization is rejected as mere acoustic background or noise. The soundscapes of Aruana&#xD;
and Solum are analyzed as living archives of affections, conflicts, resistance, and collective&#xD;
memories. By prioritizing situated and shared listening, the research proposes to discern the&#xD;
urban sphere through diverse ways of listening and attributing meaning to the territory.&#xD;
The research refutes the hegemony of the visual field in urban planning, exposing the deafness&#xD;
of social sciences towards the sonic dimension. Inspired by authors such as Murray Schafer&#xD;
and Henri Lefebvre, the adopted methodology combines soundwalking, sensory ethnography,&#xD;
and acoustic mapping. The study reveals that urban sounds, which can range from car engines&#xD;
to birdsongs, popular festivals, or the intermittent silence of parks, are active agents in the&#xD;
production of social space.&#xD;
The research unfolds in three interdependent but mutually complementary phases. The&#xD;
first, qualitative in nature, focuses on sensitive wandering through neighborhoods, proposing&#xD;
a reading of the city guided by listening. The second, quantitative, analyzes responses from&#xD;
locally administered surveys, highlighting acoustic perceptions and modes of spatial&#xD;
appropriation. In the third phase, in-depth analysis of soundwalks and brainstorming sessions&#xD;
reveals how participants react critically to acoustic environments, reinterpreting the territory&#xD;
based on the sounds that reverberate within it.&#xD;
The originality of this thesis lies in the creation of a replicable methodological model&#xD;
that combines statistical rigor, interpretative depth, and aesthetic sensitivity. Through the&#xD;
proposal of active sound reinforcement as a tool for urban intervention, it is herein&#xD;
demonstrated that intentionally introduced sounds can reframe spaces, encourage citizen&#xD;
participation, and strengthen emotional bonds with the built environment.&#xD;
In the analyzed neighborhoods, the research reveals significant contrasts in the composition&#xD;
and appropriation of sound environments. While Aruana, where gated communities and street&#xD;
markets predominate, displays a cacophony of commercial, natural, and political sounds,&#xD;
Solum, linked to the academic and heritage fabric, echoes the rhythms of university life and&#xD;
sonic traces of its past. This interpretation attests that urban planning should not only control&#xD;
noise, but also value acoustic diversity as an expression of local identity.&#xD;
The thesis's conclusions demonstrate that urban listening constitutes an interpretative&#xD;
practice that broadens the understanding of space beyond its visible materiality. Sounds both&#xD;
reflect social dynamics and influence modes of occupation, circulation, and coexistence,&#xD;
becoming mediators of territorial relations. The research corroborates that sound can be used&#xD;
as an instrument of identity recognition, activation of collective memory, and political&#xD;
contestation, or, conversely, as a device of exclusion and control, depending on how it is&#xD;
regulated and perceived.&#xD;
Comparative analysis allows us to identify a contrast between muted listening&#xD;
practices, based on indifference and dissolution, as observed in certain areas of Solum, and&#xD;
densified listening, strongly imbued with political and affective meanings, as observed in&#xD;
several areas of the Aruana neighborhood. Thus, the act of active listening constitutes a means&#xD;
of accessing subjective and collective dynamics often rendered invisible in conventional&#xD;
interpretations of the urban environment.&#xD;
Finally, it is herein argued that acoustic planning should not be limited to noise&#xD;
mitigation, but rather take on a proactive and dialogic nature, integrating listening practices&#xD;
as a tool for diagnosis, mediation, and urban intervention. Thus, the thesis proposes that the&#xD;
future of sensitive cities depends on the ability to listen to their sounds with critical and&#xD;
affective attention, recognizing in these traces of belonging, present-day conflicts, and the&#xD;
desire for a more just and shared space.&#xD;
In a world where silence is a privilege and sound intrusion is a widespread&#xD;
phenomenon, this research affirms that the cities of the future must be designed not only for&#xD;
the eyes, but also for the ears, as it is in the acoustic interweaving of everyday life that the&#xD;
sensitive layers of urban life are revealed.</description>
      <pubDate>Wed, 29 Apr 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://ri.ufs.br/jspui/handle/riufs/25407</guid>
      <dc:date>2026-04-29T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Juventudes, igrejas evangélicas e política na periferia</title>
      <link>https://ri.ufs.br/jspui/handle/riufs/25406</link>
      <description>Título: Juventudes, igrejas evangélicas e política na periferia
Autor(es): Souza Filho, Florival José de
Abstract: This thesis analyzes the role of religious socializing institutions - evangelical churches - as&#xD;
mediators of the ways of life and political formation of young people in peripheral urban&#xD;
neighborhoods, taking as a field of research, the neighborhood of Santa Maria, located in the&#xD;
southern zone of the city of Aracaju, capital of the state of Sergipe. According to the&#xD;
sociological literature on youth and its relations with politics and religion, young people living&#xD;
in the peripheries are mostly 'black, poor and poorly educated', and are therefore stigmatized by&#xD;
society. The presence of the churches and their religious leaders end up sharing the space with&#xD;
other institutions of political formation such as political parties; schools; neighborhood&#xD;
associations; non-governmental organizations that operate in different areas of the peripheries.&#xD;
To this end, I analyze the phenomenon of the steady growth of evangelical churches in the&#xD;
peripheries of the city of Aracaju, their speeches, actions and their relationship with politics,&#xD;
aiming to understand their role as mediators of the lifestyles of young believers; involving the&#xD;
contradictions experienced by young people; the role of evangelical leaders; and the consensus&#xD;
and disagreements of young people in relation to progressive and conservative political goals.</description>
      <pubDate>Thu, 26 Feb 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://ri.ufs.br/jspui/handle/riufs/25406</guid>
      <dc:date>2026-02-26T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Modulação algorítmica e psicopolítica: juventude digital na era das plataformas</title>
      <link>https://ri.ufs.br/jspui/handle/riufs/25405</link>
      <description>Título: Modulação algorítmica e psicopolítica: juventude digital na era das plataformas
Autor(es): Reiher, Carla Betânia
Abstract: This thesis investigates contemporary processes of subjectivation based on the&#xD;
experience of young Instagram users. It starts from the understanding that digital&#xD;
platforms do not operate merely as means of interaction, but as sociotechnical&#xD;
devices that govern practices, affects, desires, and forms of visibility, producing&#xD;
new ways of being and existing in the world. The expansion of digital social&#xD;
networks reveals modes of existence oriented by logics of prediction,&#xD;
performance, comparison, visibility, and social validation. The research is&#xD;
grounded in the articulation between theories of subjectivation and analyses of&#xD;
psychopolitical power, which understand subjectivation as a relational process,&#xD;
historically situated and traversed by regimes of modulation of subjectivities.&#xD;
Instagram is taken as the empirical field due to its centrality as a device for&#xD;
organizing contemporary social experience, whose architecture articulates&#xD;
massive data collection, predictive analysis, and the modulation of behaviors,&#xD;
affects, and desires. The empirical focus involves young people aged between&#xD;
16 and 24, with different forms of relationship with the platform. The&#xD;
methodological approach is qualitative, based on the application of a&#xD;
questionnaire, in-depth interviews, and direct observation. The analysis shows&#xD;
that, even with different intensities of use, subjects remain crossed by dynamics&#xD;
of self-comparison, visibility, affection, and social validation, mediated by&#xD;
algorithmic architectures that operate directly and in a distributed manner beyond&#xD;
the digital interface. As an analytical result, four ideal types are constructed: the&#xD;
hyperperformative subject, oriented toward exposure and performance; the&#xD;
ambivalent subject, marked by oscillations between engagement and distancing;&#xD;
the captured subject, whose subjectivation is strongly crossed by mechanisms of&#xD;
personalization and algorithmic modulation; and the oblique subject,&#xD;
characterized by low engagement but still traversed by norms of digital culture.&#xD;
The findings indicate that continuous interaction with the digital environment acts&#xD;
as a vector of affective modulation, modulated desire, and reorganization of&#xD;
practices of the self, producing new forms of sociability (shallow sociability) and&#xD;
figures of errant circulation in the digital environment, such as the CyberWalkers.&#xD;
By understanding algorithmic modulation as a technique within a regime of&#xD;
psychopolitical digital modulation, articulated with the logic of performative selfgovernment and performative a-resistance, this thesis contributes to the&#xD;
sociological analysis of contemporary transformations of subjectivity in the&#xD;
context of the digitalization of everyday life and shows how the constitution of the&#xD;
self occurs under technical, affective, and symbolic architectures oriented by&#xD;
processes of prediction, algorithmic modulation, and modulation of affects,&#xD;
associated with regimes of visibility and the search for social validation.</description>
      <pubDate>Wed, 25 Feb 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://ri.ufs.br/jspui/handle/riufs/25405</guid>
      <dc:date>2026-02-25T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Encruzilhadas da resistência: trajetórias de militantes negras em Sergipe (1980-2000)</title>
      <link>https://ri.ufs.br/jspui/handle/riufs/25295</link>
      <description>Título: Encruzilhadas da resistência: trajetórias de militantes negras em Sergipe (1980-2000)
Autor(es): Oliveira, Laila Thaíse Batista de
Abstract: The dissertation Crossroads of Resistance: Trajectories of Black Women&#xD;
Activists in Sergipe (1980–2000), developed within the Graduate Program in&#xD;
Sociology at the Federal University of Sergipe (UFS), aims to understand who&#xD;
the Black women activists were and how they acted during the period in question&#xD;
in Sergipe, the networks they established, the conflicts and mediations involved,&#xD;
and the ways in which they contributed to the construction and struggles of the&#xD;
Black movement and the Black women’s movement in dialogue with regional and&#xD;
national organizations, with a focus on social transformations. To this end, the&#xD;
study adopts the methodological approach of the concept developed by&#xD;
Conceição Evaristo, Escrevivência, to understand these trajectories, and is&#xD;
grounded in the perspective of Black feminism in Brazil and the United States, as&#xD;
well as in the trajectory of Black women’s movements, drawing on authors such&#xD;
as Gonzalez (2018), Collins (2019), hooks (2019), Ribeiro (2022), Carneiro&#xD;
(2018), among others.</description>
      <pubDate>Wed, 01 Oct 2025 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://ri.ufs.br/jspui/handle/riufs/25295</guid>
      <dc:date>2025-10-01T00:00:00Z</dc:date>
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