https://ri.ufs.br/jspui/handle/riufs/2537 Mon, 04 May 2026 06:34:22 GMT 2026-05-04T06:34:22Z https://ri.ufs.br/jspui/handle/riufs/24787 Título: Cores do Silêncio : processo criativo do roteiro do primeiro episódio de série audiovisual Autor(es): Ferreira, Cleber Clay da Silva Abstract: This Final Undergraduate Project presents the creative process behind the writing of the pilot episode of the miniseries Cores do Silêncio, titled O Som Antes do Silêncio. The narrative follows Marcos, a young architect and poet who, after an accident, begins to live with a frontal lobe injury that triggers an involuntary “involuntary truth-telling” condition, characterized by the loss of the filter between thought and speech. The study describes the script development from the initial concept to the final version, emphasizing drafting and rewriting stages, structural decisions, and narrative adjustments made throughout the process. The project is grounded in bibliographic research and in screenwriting and dramaturgy frameworks used to support choices related to structure, rhythm, and character construction, drawing on authors such as Syd Field, Christopher Vogler, Robert McKee, Luiz Carlos Maciel, and Doc Comparato. In addition, the work mobilizes references on trauma, communication, and behavior to seek both verisimilitude and responsibility in portraying the protagonist’s condition. Tue, 10 Feb 2026 00:00:00 GMT https://ri.ufs.br/jspui/handle/riufs/24787 2026-02-10T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/24092 Título: Entre memória, imagem e afeto : um recorte das histórias pessoais nos álbuns fotográficos de família Autor(es): Brito, Yllian da Conceição Abstract: It is known that photography has undergone a path full of transformations. In this context, its growing presence in everyday life has clearly fostered new conceptions regarding the relationship between the individual and the image. The identity of the being who sees themselves through it is constructed based on what we wish to communicate to the world; thus, photography is capable of establishing this meeting point between the self and the other. The aim of this study is to analyze, through the Life History methodology, a collection of excerpts from personal family narratives based on photographs from family albums, discussing the changes in how photography is consumed, not only within the Brito family’s life but also globally, from the era of analog photography to the peak of digital. In line with this, the study also seeks to understand how affective memory is constructed through the image of the family album and how new photographic practices have reshaped this construction. Photography is what allows us to establish our presence in someone else's memory; therefore, memory is understood here as a social construction, formed by lived experiences and the meanings attributed to them in relation to others through the images in the album. Wed, 05 Nov 2025 00:00:00 GMT https://ri.ufs.br/jspui/handle/riufs/24092 2025-11-05T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/24091 Título: Curta-metragem Aceita-me, Oceano : memorial descritivo Autor(es): Costa, Nahiara Baddini Lucas Abstract: This memorial describes the creative process of the short film Aceita-me, Oceano, the undergraduate thesis project of Nahiara Baddini Lucas Costa. The film develops an experimental and poetic narrative centered on the character Nara, who walks toward the sea in a gesture of surrender. The text analyzes the film through theoretical frameworks such as Francisco Elinaldo Teixeira, André Bazin, Edgar Morin, and Gilles Deleuze, discussing concepts related to non-narrative cinema, sensory experience, and the time-image. The memorial also highlights the choice of formal simplicity as both an aesthetic and political stance, situating the short film within the tradition of experimental cinema and articulates memory, landscape, and subjectivity as forms of resistance. Thu, 25 Sep 2025 00:00:00 GMT https://ri.ufs.br/jspui/handle/riufs/24091 2025-09-25T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/24090 Título: “Amor de Verão” : videoclipe Autor(es): Soares, Felipe de Souza Abstract: This descriptive memorial documents the creative process of the music video Amor de Verão, a collaboration between the artist from Sergipe, KVRA, and the singer from Bahia, Marlan. The project aims to expand the song’s dissemination through audiovisual language, integrating sound and image to enhance the audience’s sensory experience. Inspired by an Amazonian legend about the impossible love between the Sun and the Moon, the music video addresses universal themes such as love, insecurity, and desire, using dance and symbolic elements as central narrative tools. Wed, 03 Dec 2025 00:00:00 GMT https://ri.ufs.br/jspui/handle/riufs/24090 2025-12-03T00:00:00Z