https://ri.ufs.br/jspui/handle/riufs/2573 Mon, 10 Aug 2026 14:29:01 GMT 2026-08-10T14:29:01Z https://ri.ufs.br/jspui/handle/riufs/25767 Título: Entre a rosa e a cruz : o esoterismo em Erik Satie Autor(es): Calazans, Geovanna Marrie da Silva Abstract: This research presents a brief biographical account of the composer Erik Satie, focusing on a contextual analysis of a body of work written for the esoteric and mystical order to which he belonged: the Sonneries de la Rose + Croix. The methodology of this research is qualitative in nature and is divided into six chapters that present, respectively: a brief biography of the composer Erik Satie, which will also discuss French symbolism and the Rosicrucian Order of Péladan; the composer's aesthetics and philosophy, encompassing concepts he initiated such as musique d’aumenmblemant; a panoramic analysis of the Sonneries de la Rose + Croix; music on demand and Rosicrucian ideals; and finally, concluding remarks. This study demonstrates that Satie's works operate beyond conventional musical organization, constituting intentional structures endowed with their own functionality within the mystical realm of auditory experience. Mon, 13 Jul 2026 00:00:00 GMT https://ri.ufs.br/jspui/handle/riufs/25767 2026-07-13T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/25567 Título: Paisagem sonora e a musicalidade narrativa em O Hobbit, de J.R.R. Tolkien Autor(es): Oliveira, Fabricio Soares Abstract: This work analyzes the soundscape in J.R.R. Tolkien’s The Hobbit, based on the theoretical concepts proposed by Raymond Murray Schafer. The research investigates how literature acts as a vital means of recording, preserving, and transmitting sound experiences, even those that are imagined. Methodologically, it is a qualitative study grounded in bibliographic review and textual analysis. The content is organized into four chapters: a literature review of Schafer’s fundamental concepts (such as keynote sounds, sound signals, and soundmarks); a biography of Tolkien highlighting musical influences; and a detailed analysis of sound elements in The Hobbit. The analysis reveals a rich and integrated soundscape where nature sounds, voices, songs, musical instruments, bells, and silence perform symbolic and structural functions in the construction of Middle-earth. The study concludes that Tolkien’s work values rural and preindustrial environments, offering significant pedagogical potential for music education by encouraging critical listening and sound awareness through literature. Thu, 09 Jul 2026 00:00:00 GMT https://ri.ufs.br/jspui/handle/riufs/25567 2026-07-09T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/25565 Título: Shingeki no Kyojin : a música de abertura como elemento narrativo - análise de afetos e paisagens sonoras Autor(es): Feitoza, Lucas Rafael Dória Thu, 09 Jul 2026 00:00:00 GMT https://ri.ufs.br/jspui/handle/riufs/25565 2026-07-09T00:00:00Z https://ri.ufs.br/jspui/handle/riufs/23879 Título: Perspectivas profissionais para egressos do curso de licenciatura em Música da UFS : um olhar sobre áreas de atuação Autor(es): Diniz Junior, Vitor Emanuel Leal Fri, 31 Oct 2025 00:00:00 GMT https://ri.ufs.br/jspui/handle/riufs/23879 2025-10-31T00:00:00Z