A (a)firmação de um corpo sujeito-artista : caminhos do monólogo (nó)tícias

Abstract

This memorial analyses the processes involved in constructing the monologue (Nó)tícias, covering everything from dramaturgical elaboration to scenic choices. It starts from the conception of a body guided by the perspective of affirming the subjectartist, in which personal experiences constitute fundamental material for the creation of the work. In this sense, it adopts as a reference the approach of Documentary Theatre, understood as a field of dialogue with elements of reality. The figure of the clown emerges as a scenic composition from the search for a contrast between the expectations associated with laughter and the dramatic density of social content related to structural violence. The work operates with non-fictional narratives, which are poetically reworked within the scope of the scene through the use of resources such as newspapers, memory, and audio. Part of the show's dramaturgy was conceived prior to this research, while the last narrative presented resulted from a performance that invited the audience to share personal experiences, which became part of the creative process and the final configuration of the scene.