Novos cruzos em um rolê epistemológico para experivivenciar as encruzilhadas museológicas da Casa de "Culturas Populares" Zé Candunga

Abstract

his article proposes to analyze the relationship between the process of musealization of Popular Cultures and the identity references of the Mestres and Mestras of the city of Laranjeiras (SE), from the Casa do Folclore Zé Candunga, aiming to understand, their social functions, objectives and the relationship with the knowledge and practices of these Masters and the local Mistress, projecting to the visiting public and the local community a sense of being a primordial granary of this plural type of manifestations. Casa Candunga arises in a context in which an expansion of the local cultural valorization was thought, through the projection process inaugurated in 2005, with the objective of creating a museum space that would dialogue with the theme in the city. From a methodological path based on document analysis, dialoguing with concepts of Cultural Studies and Social Museology, we establish a diagnosis and a rational systematization of the documentation accessed as an integral part of the proposed objectives as a way of understanding the role of the House in folklore, cultural development and identity of its community in the museological perspective.