A teatralidade como ferramenta expressiva e performática na música pop

Abstract

The present work consists of presenting research on theater and pop music, aiming to unite the two themes, making a correlation between them, seeking to understand how the interaction between them happens, in order to demonstrate how artists of the genre use theatrical language to maximize your interpretations and aesthetics. As well as, explain how theatricality impacts the construction of characters and the staging of performances and tours by artists of the genre, since it goes beyond the stage and audience, transcending the walls of the theater, creating links with other languages and areas, and can be noticed through sets, costumes and other elements, without ceasing to be theatrical. It is also used to characterize caricatural and false actors, those who express something that is far from the truth. This work is used as a basis for these explanations, scholars such as: Constantin Stanislavski, but precisely his book "The Construction of Character", Edélcio Mostaço, Amy Dempsey, among others... and sites such as Teatro em Escala.