A construção da emoção no processo Lago dos Cisnes

Abstract

The main objective of this work is to elucidate how emotions are fundamental and important throughout the process of character formation, in theater making and in the understanding of the actor as a person and character, establishing a connection in theoretical concepts, techniques on which authors focus on the process of building the character in Swan Lake, montage resulting from the Theater Direction course at the Federal University of Sergipe, as a reference to the potential that emotion can exert on the character's life and the performance in an honest and truthful way in the actor's life. The monologue Lago dos cines was written about a character who had a double personality, with completely opposite individualities in his nature, who faced a psychological battle against himself, crossing personal and artistic issues in his context. Constantin Stanislavski's concept of Emotional Memory was related to The Actor's Work, Antonin Artaud in affective athletics and Jerzy Grotowski with his reflections on theater and the various amplifications that the actor has in his body. The question that motivated this work was: How can emotion contribute to the actor being on stage? What is intended is the eloquy of how this research demonstrates the studies carried out in the area of about the area of emotion in the theatrical space, connecting theory with practice through the presented montage, reflecting and influencing new works with a contribution to research for the construction of the character's life.