Processos de resistência, transformação, encontros poéticos com a ancestralidade e expressividades de gênero no espetáculo Chamem Todas as Marias

Abstract

This article presents discussions on gender issues in fluid, sensitive and performative expressiveness. Therefore, the writing of the show Chamem Toda As Marias (built in the extension project, and the dance group, Aldeia Mangue, in the Degree in Dance at the Federal University of Sergipe) and the reflections of gender in the intersection between context and the voice itself in the creation experience. In this sense, the objective is to mediate the debate about existing tensions about perspectives in gender performances in the spectacle with the group and the persona evidenced in the expression man-woman-animal-elements of nature. A path of resistance and transformation, in a collective sense and learning about equity.