Práticas de existência contextualizada no cotidiano dos corpos nas telas

Abstract

This article, based on the intersection between philosophy, communication, cognitive, social and political sciences, proposes to think about a theoretical relationship and teaching practice, of creating dance from everyday life on screen. The hypothesis of this article was generated in line with artistic processes developed as a final exhibition of an academic semester in a higher education institution in dialogue with aspects that could generate other non-separatist or dichotomous ways of existing, given the impossibility of “doing together” and that literally translates our current life on screen. This research is developed from the Corpomedia Theory and is based on the philosophy of sharing the sensitive (RANCIÈRE, 2005), on the indisciplinary methodology (GREINER, 2005) and on the bricolage of the discourses that we hear, speak, repost and become “subjects” (HAN, 2020). It is understood that this hybrid character is our way of life and updates us to do/be what we are, based on exchanges, “resonances” and responsibility for what is placed in the world and, as this relationship becomes inseparable with affective, political and socialaspects.