Influenser: uma obra para comunicar e subverter

Abstract

This research arises from analyzes of the creation process and experiences with the work Influenser, in order to question communication patterns in art. To this end, it analyzes the modes of scenic operation developed in Influenser, and proposes strategies for scenic interaction in dance that promote the public's protagonism, through the subversion of the relationship between spectator and author. Based on this perspective, the study emphasizes practice as a research method, using performative writing, by Ciane Fernandes (2013), and genetic criticism, by Cecília Salles (2011). Furthermore, the research builds epistemological-theoretical dialogues from the perspectives of Greiner (2005), Agamben (2009), Katz (2005; 2021), Rengel (2007; 2009; 2015), Rizzolatti e Sinigaglia (2008), Valeska Figueiredo (2010), Ribeiro e Teixeira (2009), Santos (2013), Canclini (2019), Recuero (2009) e Grieger e Botelho-Francisco (2019). The route taken showed that Influenser, through interaction, brings strategies for subverting the spectator-author relationship, questioning the place of passivity occupied by people not only in art, but also in social relations.